Maud Gatewood: Southern Artist

Maud Gatewood's senior yearbook photograph, 1954

Maud Gatewood was born and raised in Yanceyville, North Carolina. Her mother encouraged her to take drawing classes at Averett College in Danville, Virginia. Her sketchbooks show dozens of drawing of her mother. Mostly, seated and probably drawn while the subject was unaware. Maud spent her youth drawing and sketching and in 1950 (at the tender age of 16), she came to UNCG. In 1954, she graduated from Woman’s College (now UNCG) with a Bachelor of Art in Art. She earned her Master of Arts degree from Ohio State University in 1955. Gatewood then spent the next several years teaching in Alabama, then Texas before earning a Fulbright Scholarship to study in Vienna and Salzburg, Austria from 1962-1963. 1964 marked her return to the state with a position at UNC Charlotte teaching in the Creative Arts Department, where she taught for the next nine years. She was instrumental in developing the Creative Arts Department at UNCC. In 1975 she returned to Averett College, this time as a Professor in the Art Department where she worked for the next 20 years.

Gatewood passed away in 2004 from complications after a stroke. She received many awards and recognitions throughout her life, including first place awards in North Carolina Artists’ annual competitions, a North Carolina Arts Council Fellowship, the Governor’s North Carolina Award in Fine Arts (1984), and the UNCG Alumni Association Distinguished Service Award.  She received an honorary Doctor of Fine Arts degree from UNCG in 1999, where she was touted for her “uncommon artistic talents, [her] significant achievements as a daughter of the University, and for [her] dedication to the spirit of public service which [her] alma mater so steadfastly values.”

Gatewood was well known for saying little about her own paintings.  In a 1968 Charlotte News article, she stated, “I’ve got almost nothing to say.  I just paint pictures."  When asked about the subject matter of her art, she said, “What I’m trying to paint are relationships, formal relationships: light and color and forms.  There might be messages, but I think a lot of times painters know less about what their painting says than anybody else.”

Special Collections and University Archives has the Maud Gatewood Collection, which contains professional activities, correspondence, subject files, sketches, and sketchbooks.  Maud drew extensively, capturing the scenes and people around her as well as plotting out future paintings.  The sketches that would become paintings are recognizable by their placement within a sketched square box, like these sketches:

Preliminary drawing for Consuming Cause, c. 1990

Preliminary drawing for Ugly Saturday, c. 1989

An exhibit, Maud Gatewood: Sketches, is currently on display in the Hodges Reading Room of Jackson Library.  This exhibit is a part of the Maud Gatewood Trail, a series of exhibits of Maud Gatewood’s paintings across North Carolina and Virginia.  This Fall, eighteen sites will be mounting exhibits of Gatewood paintings.  More information can be found in this brochure: http://www.uncg.edu/art/documents/events/GatewoodTrail.pdf.

This post is one in a series focused on the 2015 North Carolina Archives Month theme "Celebrating Archives: North Carolina Arts, Crafts, and Music Traditions." North Carolina Archives Month, celebrated each October, is an annual observance of the agencies and people responsible for maintaining and making available the archival and historical records of our nation, state, communities, and people.

Constance Han-Jun Lam (Class of 1933): Humanitarian and Heroine

March is Women's History Month. To celebrate, our Spartan Stories this month feature alumni from the Woman's College, North Carolina College for Women, or State Normal eras. 

Constance Lam

Against the increasingly violent backdrop of war-torn China, Constance Lam became a humanitarian and a heroine.

A native of Canton, China, Lam’s goal was to gain the education and practical experience in social work to successfully return to her homeland and improve conditions for her people. After attending high school in New York, Lam entered the Woman's College of North Carolina, now UNCG, and majored in sociology. She was a member of the Young Voter's Club, the Physics Club, and the Young Women's Christian Association (YWCA). Lam was an excellent student and was described by her professors as intelligent, poised, and determined, with a great deal of personality and energy.

In 1933, as a senior at Woman's College, Lam was awarded the prestigious Elizabeth Lowe Gamble scholarship from The New York School of Social Work. While she studied in New York, she also worked with the local Chinese population. In 1936, she returned to China and planned to pursue medical studies in Peking. The war with Japan broke out in 1937 and interrupted these plans. She instead traveled to Hong Kong where she began her work with the hundreds of thousands of refugees flooding into the already overpopulated city.

It was at this time that she began working closely with Dr. Percy Selwyn-Clarke, the Director of the Division of Medical Services in Hong Kong. She greatly admired his humanitarian work and it is evident that he thought highly of her, even encouraging her to pursue creative writing. Lam quickly became the director of a refugee camp housing over 2000 Chinese girls. She also served in various capacities in the Foreign Auxiliary of the Chinese Red Cross, the Chinese Defense League, and the Eugenics League.

During this time, Lam kept up with several friends and faculty members that she had known at Woman's College, especially French professor Jessie Laird who sent her money as well as reading material, which was expensive and hard to obtain. She particularly requested Lin Yutang's Moment in Peking and Margaret Mitchell's Gone with the Wind. She realized that she was living in very historically significant times and prayed for the defeat of Hitler. Lam wrote in a letter to Laird, "I somehow feel that I shall not live long, so I must return to society some of her gifts."

In 1939, Lam became seriously ill due to poor working conditions and exhaustion. Although her health improved, she never regained her full strength. She attributed her recovery to Selwyn-Clarke and was forever grateful to him. When a relapse occurred several years later, she moved in with the doctor and his wife, Hilda. In 1943, Selwyn-Clarke was arrested by the Japanese who believed that he was a British spy. He was imprisoned in horrible conditions and at one point sentenced to death. Lam smuggled food, soap, notes, and other items to her friend. She was even detained and questioned about her association with Selwyn-Clarke.

She cabled friends in September of 1945 with news regarding the mass exodus from the city. Lam reported that she was safe, but that her sister Rose had been killed in an air raid and that her father had died. She was concerned that she would not survive the war and her premonition was almost realized -- she died in Queen Mary's Hospital in Hong Kong on November 30, 1945. It was apparent that Lam was held in very high regard amongst the people of Hong Kong, as her health status was reported in the daily newspaper and her funeral was attended by both Chinese and British officials.

At her death, Professor Jessie Laird donated funds to the Woman's College library to acquire beautifully illustrated books on China, in memory of her friend.