Julius Foust and Harry Barton: Partners in Design

1930s Campus Map Showing the Barton Additions

The University of North Carolina at Greensboro (UNCG) has one of the most beautiful campuses in the state, in most part because of the efforts of past college president, Julius Foust and architect Harry Barton. Although Barton had many important commissions throughout North Carolina, it was perhaps his relationship with Julius Foust, which would provide some of his most important commissions and one of the most prolific periods in his career.

During the 1920s, the small women’s college had an unprecedented expansion. With the student body almost doubling in size and the faculty growing to meet the demands of extra courses, Foust began planning an enlargement of the campus, including residence halls, classroom buildings, and a large auditorium. In Barton, he saw an architect who could make his vision of the school into a reality. Foust commissioned the architect to design seventeen of the buildings constructed on campus during this state-wide building campaign.

Advertisement for Harry Barton's Architectural Firm, 1912

Although Harry Barton was a native of Philadelphia, he became an important part of the architectural legacy of Greensboro. He earned a degree in architecture from George Washington University and did postgraduate study at the Beaux-Arts Institute of Design. After graduation he worked in both Philadelphia and Washington, D.C., before moving with his wife to Greensboro in 1912. Barton believed that Greensboro was a “city with a future,” benefiting from being a pivotal part of the prosperous Piedmont region of the state. Quickly gaining his own clientele of notable Greensboro businessmen, he received the lucrative commission for the Guilford County Courthouse (1918-1920), as well as many other courthouses, schools, churches, governmental buildings, and schools. Incorporating Neo-Classic, Gothic, Art Deco, Tudor, and Georgian architectural styles into his designs, Barton proved that he was a versatile and talented young architect.

 Construction of Aycock Auditorium, 1927

Foust trusted Barton to form the newer architectural design of the campus. While most of the original buildings on campus were of the Romanesque style, Barton chose the more popular classical revival design. Many of Barton’s other architectural projects focused on residence halls - not surprising with the growth in student population, but buildings that would meet the physical and academic needs of the students were also prioritized. An Outdoor Gymnasium was an early structure that served as the primary physical education structure until the completion of the Rosenthal Gymnasium, also designed by Barton, which was completed in 1925. 

 

Outdoor Gymnasium, 1922

The building campaign, which lasted almost the entire decade, included the Shaw Residence Hall (1919), Gray Residence Hall (1921), Outdoor Gymnasium (1922), Hinshaw Residence Hall (1922), Bailey Residence Hall (1922), the President’s Residence (1923), Cotten Residence Hall (1922), Coit Residence Hall (1923), Jamison Residence Hall (1923), Brown Music Building (1925), Physical Education Building (1925), Curry Building (1926), [Aycock] Auditorium (1927), Mary Foust Residence Hall (1927), Guilford Residence Hall (1928), the Home Economics Building (1928). While these structures were being completed, Foust also had College Avenue paved in 1928, further modernizing the look of the campus.

Brown Music Building, 1925

Barton became one of the most notable architects in the state. He was one of the first licensed architects in North Carolina as well as a member of the National American Institute of Architects, the North Carolina Chapter of the American Institute of Architects, and the State Board of Examiners in Architecture. He was also a well-respected member of the community, heavily involved in the Presbyterian Church, as well as the Kiwanis Club and the Masons. But one of his greatest legacies is his contribution to the beautiful UNCG campus.

Letters from Abroad: McIver’s Trip to Europe, Part 2

McIver chose the Hamburg-Amerika line for his transatlantic crossing

As the S.S. Blucher started its ten-day voyage across the Atlantic, Charles Duncan McIver and James Joyner explored the ship and began their individual routines. McIver enjoyed daily walks on the deck and was thrilled when he glimpsed “large fish and sea animals” in the waves. His letters to Lula expressed excitement about the trip and the beautiful weather, as well as his relief at not becoming seasick like many of the other passengers. He reported that the food was excellent onboard ship and although he had been given “instructions from home” to watch his diet, it was becoming increasingly hard to do so. The elaborate first class menus included rich German dishes and the sumptuous desserts were difficult to resist. McIver spent the first days of his cruise with little to do but “loaf, tell yarns, [and] eat 5 times a day.” He wrote Lula that he was enjoying more “rest and freedom from care that [he] had in a long time.”

Joyner and McIver on deck of the S. S. Blucher, 1905

As one of the main reasons for the trip was to improve his health, McIver found his way to the gymnasium and made exercise a part of his daily ritual. He was amazed to find that the training equipment ran on electric motors, including a machine that took the speed of either a horse or a camel, and a massage apparatus with a belt that moved from the shoulders to the waist.


Entertainments were also a favorite part of his day, with music on the deck every morning and concerts held for the first class passengers in the evening. McIver was particularly charmed by the sounds of informal accordion music and dancing that wafted up from the lower steerage decks.

Dancing aboard the ship

There was much to tell, and McIver continued to write Lula even though he knew that he would not be able to mail his letters until the ship reached its first stop in Plymouth, England. He pined for his little family and took time each day to look at their photographs and write letters. Joyner missed his family as well and wrote his wife constantly. McIver even suspected he was writing Mrs. Joyner poetry! In a romantic flight of fancy, the two men decided to send their wives “love message[s]” from mid-ocean on the Marconi, a recently invented system of wireless communication using coded signals.

When they arrived in Paris, Joyner had correspondence waiting for him at the Grand Hotel, but there were no letters for McIver. His next note to Lula chided her for not sending mail and newspapers. When he finally received a letter from her, he was “dee-lighted!” He continued to write and chronicle his trip from France, to Germany, down the Rhine River, to Brussels, and finally to England.



During his travels, he received letters from his family, as well as his colleagues at the college. A birthday telegram was delivered from campus physician, Dr. Gove, and professors Gertrude Mendenhall and Viola Boddie, and steady correspondence was received from his administrative assistant, Miss Coit. A letter also arrived from the college’s African American facilities manager, Zeke Robinson, who had worked for McIver in his early years at Peace College and later joined him at State Normal. Zeke wrote “It is useless for me to try to tell you how much I have missed you, for you know that already.”

A letter to Lula dated September 28, 1905

By early October, the traveling companions began the last leg of their European trip. McIver had enjoyed France, Germany, and Brussels, but he really seemed to hit his stride in England. He marveled at the country’s history and monuments, and he attempted to see all the sites of London, including the British Museum and St. Paul’s Cathedral. Then they traveled throughout the English countryside, visiting Kent, Stratford-upon-Avon, and Oxford. McIver and Joyner also took every opportunity to see plays and productions, ranging from variety shows to more serious plays such as Louis XI starring Henry Irving (a week before his death). McIver wrote Lula, “I was impressed more than ever by the tremendous greatness of the English people and the civilization for which they are responsible.”

McIver especially loved the Lake District. Yet it was at this “ideal spot” that he lost a treasured personal possession. In a letter dated October 6, he told Lula of his heartbreak at losing his locket which contained her picture. While he knew he could purchase another when he returned to North Carolina, he grieved the loss of such a sentimental object.

The travelers’ final stop was Scotland where the beauty of the scenery and tales of Culloden and Mary Queen of Scots did not fail to impress them. McIver also tracked down several of his Scottish relatives and paid them a visit. Although the men had a wonderful time in Scotland, as they made their way south to catch the ship to America, McIver’s letters reflect his desire to “start straight home … and fly all the way.” The fall semester at the State Normal was underway and he missed his family – he was ready to go home. As he boarded the ship at Dover, he summed up his adventures to Lula, “This has been a good trip, full of interest, instruction, and pleasure, but this is the happiest day I have spent abroad because I’m starting toward you and our dear children.”

The McIver home on the State Normal Campus

By all accounts, McIver had enjoyed himself immensely, yet what was planned as a relaxing excursion, had quickly transformed into an extensive and grueling tour. He admitted to his wife, “Our trip has been more strenuous than I expected it to be.” It certainly did not give him the much-needed rest he required and once he returned home, his schedule remained as hectic as before he left.





In subsequent months, McIver’s fast-paced, stressful life began to catch up with him. Less than a year after his grand European trip, Charles Duncan McIver was dead. He suffered a stroke ten days before his forty-sixth birthday. Lula saved his letters from Europe, as well as much of their other personal correspondence, which can now be found in the archives of UNC Greensboro.

The First Reunion of the Class of 1585

In 1926, the alumnae of the North Carolina College for Women (now The University of North Carolina at Greensboro) were making plans for their class reunions. As these preparations were being made, it occurred to some of the alumnae that the celebration should include those students who had attended the woman’s college but had never graduated, or were never officially associated with a reunion class. This honorary group was christened the “Class of 1585.” This unusual name was a reference to the state’s early history, when Sir Richard Grenville’s English ships landed on the coast of what is now North Carolina.

The first “reunion” of the Class of 1585 was held on June 5, 1926, during the celebration of Alumnae Day. To mark the occasion, there was a luncheon given in the Spencer Residence Hall dining room. In keeping with the 1585 theme, large centerpieces were fashioned in the image of Elizabethan ships. The tables were decorated with vases of daises (the school flower), with individual blossoms spelling out 1585 – 1926. For a special remembrance of the day, guests were presented with a small booklet created by students in the college’s art department. On the cover was a hand-drawn representation of a ship being greeted by a young Native American woman, while the interior contained the day’s program and a photograph of the guests of honor. Those being honored were administrators, professors, and staff members associated with the college’s early history. They included Miss Viola Boddie, Miss Laura Coit, Mr. Edward Forney, Dr. Julius Foust, Dr. Anna Gove, Miss Minnie Lou Jamison, Mrs. Lula McIver, and Miss Mary Petty.

Over ninety guests were entertained with a program which paid tribute to the eight guests of honor. Continuing the theme of settling a new land, these educators were represented as champions of learning and “rescuers of the maidens” held captive by ignorance. In thanks, their former students presented them with “love, loyalty, reverence, and gratitude.” The luncheon’s entertainment also included a song by Miss Molly Matheson Boren and a commemorative verse by Miss Eleanor Watson Andrews, as well as Miss Vaughn White Holoman’s “series of word pictures sketched with the delicacy and precision of a cameo, [of] the eight ‘founders’ of the ‘settlement.’”


The moving program ended with each attendee drawing the name of one of the eight honorees and completing the phrase, “What we really want to tell you…” on a small sheet of paper. These kind thoughts were later collected and incorporated into a commemorative book. The event concluded with the guests toasting the Class of 1585 with best wishes and the hope that the tradition would persist.  For the next several years, the Class of 1585 continued to hold alumnae luncheons with the other college classes, but by the 1930s, this seems to have come to an end. Only one of the hand-drawn booklets survives as a testament of the class’s first reunion held on that June day in 1926.